new arrival Webster, Ben & Oscar Peterson wholesale : discount Ben Webster Meets Oscar Peterson-Legendary Session outlet sale

new arrival Webster, Ben & Oscar Peterson wholesale : discount Ben Webster Meets Oscar Peterson-Legendary Session outlet sale

new arrival Webster, Ben & Oscar Peterson wholesale : discount Ben Webster Meets Oscar Peterson-Legendary Session outlet sale

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Description

2010 two CD release containing three full albums plus bonus tracks. This double disc set contains all of the Ben Webster-Oscar Peterson quartet/quintet collaborations featuring Webster as the only horn player, reunited for the first time ever on one set. Included are the complete classic albums Ben Webster Meets Oscar Peterson and Soulville plus the quintet sessions originally issued on the King of the Tenors album. Essential Jazz Classics.

Track Listings

1 The Touch of Your Lips - Oscar Peterson
2 When Your Lover Has Gone - Oscar Peterson
3 Bye Bye Blackbird - Oscar Peterson
4 How Deep Is the Ocean - Oscar Peterson
5 In the Wee Small Hours of the Morning - Oscar Peterson
6 Sunday - Oscar Peterson
7 This Can''t Be Love - Oscar Peterson
8 Poutin'' - Oscar Peterson
9 Cotton Taile - Oscar Peterson
10 Danny Boy (Londonderry Air) - Oscar Peterson
11 Bounce Blues - Oscar Peterson
12 Bounce Blues [Alternate Take] - Oscar Peterson
13 Tenderly - Oscar Peterson
14 Ballad Medley: All the Things You Are/Dearly Beloved/The Nearness of Yo - Oscar Peterson
15 Soulville
16 Late Date
17 Time on My Hands
18 Lover, Come Back to Me
19 Where Are You?
20 Makin'' Whoopee
21 Ill Wind
22 That''s All
23 That''s All [Alternate Take]
24 Pennies from Heaven
25 Jive at Six
26 Don''t Get Around Much More
27 Who
28 Boogie Woogie
29 Roses of Picardy

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Customer reviews

4.7 out of 54.7 out of 5
232 global ratings

Top reviews from the United States

W. Tucker
5.0 out of 5 starsVerified Purchase
A welcome reissue in one package
Reviewed in the United States on September 5, 2019
I had most of this music on three discs, but it''s nice to have this 2 cd reissue. It also has some new liner notes, and the sound is excellent. This is even better than the Webster/Johnny Hodges session now available. And like that one, you can enjoy every note of this one... See more
I had most of this music on three discs, but it''s nice to have this 2 cd reissue. It also has some new liner notes, and the sound is excellent. This is even better than the Webster/Johnny Hodges session now available. And like that one, you can enjoy every note of this one repeatedly. It''s great to play over and over. Like Hodges, Peterson was a jazz giant, and he pairs perfectly with Webster, one of the finest saxists of all time.
2 people found this helpful
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Tom Sanders
5.0 out of 5 starsVerified Purchase
An unknown classic! Must hear Jazz.
Reviewed in the United States on January 2, 2017
One of the great Jazz albums. An unbelievable foursome playing some great material and digitally remastered to boot! Doesn''t get too much better! Everyone on this classic is in top form, especially Ray Brown on bass. It just sparkles! I see on closer reading of the... See more
One of the great Jazz albums. An unbelievable foursome playing some great material and digitally remastered to boot! Doesn''t get too much better! Everyone on this classic is in top form, especially Ray Brown on bass. It just sparkles!
I see on closer reading of the cover that there is an extra album included., Soulville. This provides the excellent Heb Ellis on guitar. A welcome addition...though it is hard to think of Ellis without missing Blossom Dearie...sigh...
2 people found this helpful
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Gerg
5.0 out of 5 starsVerified Purchase
Soulful, Substantial, Mellow and Rich
Reviewed in the United States on May 14, 2019
Oscar is a master collaborator, so it''s hard to go wrong. This album is no exception. Ben''s sax is like velvet. The interplay and connection between Oscar and Ben is soulful and substantial, as is the overall sound of the record.
2 people found this helpful
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Janice Nelson
5.0 out of 5 starsVerified Purchase
Ben and Oscar!
Reviewed in the United States on July 24, 2019
For every jazz enthusiast, this one album needs to be in your top ten. Few can beat the smooth, soul-full sounds of Ben Webster and Oscar Peterson.

Each, by themselves, is a master talent; together, one arrives on a kind of jazz heaven.
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D. Mataconis
5.0 out of 5 starsVerified Purchase
Jazz at Its Best
Reviewed in the United States on February 5, 2001
They don''t come much better than Ben Webster and Oscar Peterson. And this CD demonstrates why. From Webster''s opening on "The Touch of Your Lips" to the final notes of "This Can''t Be Love", these two great artists combined to create one of the best... See more
They don''t come much better than Ben Webster and Oscar Peterson. And this CD demonstrates why.
From Webster''s opening on "The Touch of Your Lips" to the final notes of "This Can''t Be Love", these two great artists combined to create one of the best albums in jazz history. Its impossible to listen to this and not find yourself getting carried away. The highlight of the album, though, is Webster''s rendition of "In The Wee Small Hours of the Morning". As the liner notes state, its not surprising that Webster captures this Sinatra classic perfectly given the fact that he''d probably listened to it hundreds of times before this recording was made. All the same, the lush, lyrical, tone he achieves is simply awesome, and it lead me to wonder what a duet between Ben and Frank might''ve sounded like.......
Not only do you need to buy this album right now, when you get it you need to play it as loud as possible with all the windows open. Everyone in the world deserves to hear this one.
68 people found this helpful
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Charles Boornazian
5.0 out of 5 starsVerified Purchase
Great Ben Webster Disc
Reviewed in the United States on April 25, 2021
Outstanding collection from Ben Webster
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Columbus Dolberry
5.0 out of 5 starsVerified Purchase
Outstanding
Reviewed in the United States on July 6, 2021
Outstanding
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James
5.0 out of 5 starsVerified Purchase
Desert island listening
Reviewed in the United States on September 22, 2007
This is one of those albums that would end up on a short list of required listening while stranded on a desert island! Few can match Ben Webster on tenor sax or Oscar Peterson on piano. Webster''s caressing and fragrant tone slowly wraps the listener in a gentle fog.... See more
This is one of those albums that would end up on a short list of required listening while stranded on a desert island! Few can match Ben Webster on tenor sax or Oscar Peterson on piano. Webster''s caressing and fragrant tone slowly wraps the listener in a gentle fog. Peterson counters by weaving cords like a Renaissance master of tapestry. If you love this collaboration, also listen to "Coleman Hawkins Encounters Ben Webster" (1957) and "The Tatum Group Masterpieces, Vol. 8" (1956).
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Top reviews from other countries

igloo
4.0 out of 5 starsVerified Purchase
Good tone and sound quality but an imbalanced mix where some instruments overwhelm others.
Reviewed in the United Kingdom on September 28, 2021
CD Review: Verve Master Edition 1997 The sound quality and atmosphere of this recording is excellent, all the instruments have very good tones and sound realistic. The issue is that the sax and acoustic bass tend to dominate the left hand channel and can on some tracks...See more
CD Review: Verve Master Edition 1997 The sound quality and atmosphere of this recording is excellent, all the instruments have very good tones and sound realistic. The issue is that the sax and acoustic bass tend to dominate the left hand channel and can on some tracks overwhelm the sound of the other instruments. However the the music, sound stage and quality are so good that this is a worthy addition to any collection. I have not set out to write reviews of the music content as “beauty is in the ears of the listener”. These reviews are about the quality (or not) of the recorded sound. To read about how the reviews are done please see my profile. • Clarity - excellent • Channel separation – good separation of the left and right channels • Channel balance – initially the left hand channel seems to dominate the right, and to a large extent continues to do so due to the instrument placement • Sound Stage – very wide and quite deep, there seems to me little centre image at the start of the recording. As the sound fills out this seems to be corrected to some extent and the sound stage improves. • Distortion – non audible • Compression – the extreme clarity of this recording leaves no where to hide. There is good dynamic and frequency range. This is not a loud recording. • Atmosphere – this recording has a fabulous atmosphere being very warm and sultry. It is intimate, a winters evening by the fireside. The instruments sound very close and personal. • Bass – low frequencies – the acoustic bass sound is fantastic. It is so close miked that you hear every tone, twang and string pluck. The bass tone is rich warm and mellow. Indeed there can be too much of a good thing in that it can dominate and overwhelm the left hand channel. The drum sound is good when it is to the fore of the mix. It is a little lost in the mix and often gets overwhelmed by the double bass. The drum tone is very realistic if a little bit far back on occasion. • Treble – high frequencies – the saxophone sound is soft and mellow contributing to the warm intimate atmosphere. The sax balances the bass well, but once again at the expense of the piano sound. The piano sound is not bad, far from it but the bass and sax tend to overwhelm the drums and piano on this recording. They also tend to “pull” the recording to the left hand channel. • Vocals - none As a general rule of thumb recordings from the 1960’s, 70’s and 80’s are nearly always better on the original vinyl. Remasters often fail to please as it’s just not possible to make a silk purse from a sows ear, i.e. the original recording lacks the necessary detail to be processed digitally and show an audible improvement. Indeed such processing can make the sound worse. Modern recordings which have been processed digitally from start to finish can be as good as vinyl. CD’s are often unfairly criticised for being poor quality. This is not the case, it is the original recording or the process which is to blame. Modern “remasters” can both enhance and degrade a recording. The statement GIGO (Garbage In Garbage Out) is the limiting factor. Ignore this at your cost.
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haz00mc3
5.0 out of 5 starsVerified Purchase
Perfect present!
Reviewed in the United Kingdom on July 15, 2020
Bought this for my boyfriend, and he loves it! As a jazz fan, this was the perfect vinyl for him, and the quality is amazing. Can’t wait to listen to it myself!
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Mrs. S. Clark
4.0 out of 5 starsVerified Purchase
Excellent album.
Reviewed in the United Kingdom on September 30, 2021
This is a great album for those who like smooth jazz. The only issue is a small scratch on one side, which inevitably makes some noise. I know LPs are prone to this but it really shouldn''t happen with a brand new LP, hence only 4 stars.
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NSDAP 2020
5.0 out of 5 starsVerified Purchase
Jazz Giants together.
Reviewed in the United Kingdom on May 28, 2020
Great if you are in to jazz from the past. Webster on sax and oscar peterson on piano.
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Amazon Customer Harry J Fry(author)
4.0 out of 5 starsVerified Purchase
Ok
Reviewed in the United Kingdom on July 2, 2020
Didn''t dislike it.
One person found this helpful
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new arrival Webster, Ben & Oscar Peterson wholesale : discount Ben Webster Meets Oscar Peterson-Legendary Session outlet sale

new arrival Webster, Ben & Oscar Peterson wholesale : discount Ben Webster Meets Oscar Peterson-Legendary Session outlet sale

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new arrival Webster, Ben & Oscar Peterson wholesale : discount Ben Webster Meets Oscar Peterson-Legendary Session outlet sale

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